Presented in conjunction with the Gallery of Modern Art’s blockbuster ‘Air’ exhibition, ‘Melting into Air’ (26 November 2022 – 23 April 2023) is the new, free cinema program at the Australian Cinémathèque, GOMA. It explores screen depictions of this essential element from over the past century, showcasing hidden mysteries within deep fogs, the sublime potential of natural phenomena, and the transformative power of the invisible world around us.

RELATED: More 5 film suggestions

With nearly 60 films over more than 110 screenings, ‘Melting into Air’ curator Robert Hughes picks five of his unmissable films from within the program.

#1
The Turin Horse 2011

The Turin Horse is set on a barren farm, inhabited by an aging stableman, his daughter and their horse. Forever beset by violent gales, they live a meagre and repetitive existence. Over six days, the world around them steadily falls apart, seemingly on the cusp of complete apocalyptic collapse. One of the great cinematic achievements of the new millennium, Béla Tarr’s film is a mesmerising meditation on the nature of human existence.

The Turin Horse will screen from a rare, imported 35mm print
6.30pm Wed 7 Dec 2022 & 2.00pm Sat 18 Feb 2023

Production still from The Turin Horse 2011 / Dir: Béla Tarr / Image courtesy: Luxbox

Production still from The Turin Horse 2011 / Dir: Béla Tarr / Image courtesy: Luxbox / View full image

#2
Diamantino 2018

The perfect film to enjoy during the World Cup weeks. After hunky soccer superstar Diamantino misses a crucial penalty in a World Cup final, he finds himself a public pariah and at the mercy of his cruel twin sisters. A wildly original and blisteringly funny surrealist satire, the film features unforgettable sequences inside Diamantino’s mind – where the splendour of the football field is filled with giant Pekingese puppies and pink clouds of elation.

8.00pm Wed 14 Dec 2022 & 6.00pm Wed 22 Feb 2023

Production still from Diamantino 2018 / Dir: Daniel Schmidt, Gabriel Abrantes / Image courtesy: Charades

Production still from Diamantino 2018 / Dir: Daniel Schmidt, Gabriel Abrantes / Image courtesy: Charades / View full image

#3
Sorcerer 1977

After the groundbreaking success of The Exorcist 1973, director William Friedkin took on what would become his most ambitious project to date: an adaptation of the French novel ‘The Wages of Fear’. The tale of four criminals on a treacherous expedition to guide trucks full of dynamite across inhospitable terrain, Friedkin’s film stands among the premier American films of the 1970s. It is an immersive and unbearably tense journey into the abyss, driven by a propulsive synth score from Tangerine Dream.

8.00pm Wed 15 Feb & 8.30pm Fri 10 Mar 2023

Production still from Sorcerer 1977 / Dir: William Friedkin / Image courtesy: Park Circus

Production still from Sorcerer 1977 / Dir: William Friedkin / Image courtesy: Park Circus / View full image

#4
The Great Ecstasy of Woodcarver Steiner 1974

Made early in the career of now-legendary filmmaker Werner Herzog, The Great Ecstasy of Woodcarver Steiner is a remarkable documentary portrait of world champion ski jumper Walter Steiner. A poetic study of the psychological and philosophical underpinnings of a man whose dream of flight has carried him to the pinnacle of his sport, the film is filled with incredible images and insights that one can only obtain from the singular mind of Werner Herzog.

The Great Ecstasy of Woodcarver Steiner will screen from an imported 16mm print.
1.30pm Sat 25 Feb & 2.45pm Sat 1 Apr 2023

Production still from The Great Ecstasy of Woodcarver Steiner 1974 / Dir: Werner Herzog / Image courtesy: Deutsche Kinemathek, Berlin

Production still from The Great Ecstasy of Woodcarver Steiner 1974 / Dir: Werner Herzog / Image courtesy: Deutsche Kinemathek, Berlin / View full image

#5
Kanał 1957

Deep in the sewers below the streets of Warsaw in 1944, a group of Polish soldiers and civilians retreat from the encircling German army. Lost in the labyrinth of tunnels, they search for a safe exit, desperately trying to escape before they succumb to the slow suffocation of the sewers’ methane gas. The second in director Andrzej Wajda’s thematically-connected War Trilogy, Kanał is one of the masterpieces of mid-century Polish cinema – a gripping tale of resistance that immerses the audience in its nightmarish underground odyssey.

3.30pm Sat 4 Mar & 6.00pm Wed 19 Apr 2023

Production still from Kanał 1957 / Dir: Andrzej Wajda / Image courtesy: Wytwórnia Filmów Dokumentalnych i Fabularnych

Production still from Kanał 1957 / Dir: Andrzej Wajda / Image courtesy: Wytwórnia Filmów Dokumentalnych i Fabularnych / View full image

#6
The Wind 1928 (Our wild card) Live music & film

Directed by Victor Sjöström (The Phantom Carriage 1921) and starring early Hollywood icon Lillian Gish, The Wind tells the story of Letty, a young woman who relocates to her cousin’s West Texas farm. Upon her arrival, her relationship with her extended family is immediately strained and the incessant gales that beset her new home seem poised to drive her to the edge of madness.

The Wind | Tickets on sale
6.30pm, Friday 17 February 2023

One of the great cinematic achievements of the late silent era, The Wind is an atmospheric and often nightmarish depiction of isolation. Gish gives among her most powerful performances as Letty – her legendarily expressive face acting as a guiding light amidst the storm of tragedy around her.

The film will screen from a 35mm print provided by the Warner Archive, Los Angeles.
Experimental band Corporate Vibes will provide live musical accompaniment to the screening.

The Wind 1928

Production still from The Wind 1928 / Dir: Victor Sjöström / Image courtesy: Roadshow Films

Production still from The Wind 1928 / Dir: Victor Sjöström / Image courtesy: Roadshow Films / View full image

Australian Cinémathèque at GOMA

Hidden beneath the stage of the purpose-built Australian Cinémathèque, and only revealed for special screenings is our much loved 1929 Wurlitzer Style 260 Opus 2040 Pipe Organ, its original home Brisbane’s Regent Theatre which opened on 8 November 1929

It is a rare opportunity to be able to view silent films on the big screen some hundred years since ‘talkies’ became a theatre sensation — thus ending the silent film era — however our Wurlitzer brings these films back to life as they were intended to be enjoyed.

Melting into Air

View the program

A Tale of the Wind 1988
A Touch of Zen 1971
Aerograd 1935
Air Conditioner 2020
Air Doll 2009
Andrei Rublev 1966
Anne at 13,000 Ft 2019
Bad Boy Bubby 1993
Blue Velvet 1986
Brewster McCloud 1970
Death by Hanging 1968
Demon Wind 1990
Diamantino 2018
Fata Morgana 1971
Figures in a Landscape 1970
First Reformed 2017
Good Morning 1959
In the Realm of the Senses 1976
Kanał 1957
Mayak 2006
Mist 1967
On the Beach 1959
Only Angels Have Wings 1939
Police Story 3: Supercop 1992
Porco Rosso 1992
Red Desert 1964
Safe 1995
Session 9 2001
Sleep Has Her House 2017
Sorcerer 1977
Spirits of the Air, Gremlins of the Clouds 1987
Ten Skies 2004
The Adventures of Baron Munchausen 1988
The Bamboo Flute 2000
The Boy and the Wind 1967
The Great Ecstasy of Woodcarver Steiner 1974
The Human Vapor 1960
The Man from Hong Kong 1975
The Mist 2007
The Pink Cloud 2021
The Red Balloon 1956
The Shout 1978
The Stolen Airship 1966
The Trollenberg Terror 1958
The Turin Horse 2011
The Wind 1928 Live Music & Film / 6.30pm, Fri 17 Feb 2023 / Tickets on sale now
The Wizard of Oz 1939
Total Recall 1990
Videodrome 1983
Whistle and I’ll Come to You 1968
Willow and Wind 1999
Wings 1927 / Live Music & Film / 1.30pm, Sat 10 Dec 2022
Written on the Wind 1956
earthearthearth 2021 (short)
Hedgehog in the Fog 1975 (short)
Ki or Breathing 1980 (short)
Violin Fase 1986 (short)

Robert Hughes is Assistant Curator, Australian Cinémathèque, QAGOMA

QAGOMA is the only Australian art gallery with purpose-built facilities dedicated to film and the moving image. The Australian Cinémathèque at the Gallery of Modern Art (GOMA) provides an ongoing program of film and video that you’re unlikely to see elsewhere, offering a rich and diverse experience of the moving image, showcasing the work of influential filmmakers and international cinema, rare 35mm prints, recent restorations and silent films with live musical accompaniment on the Gallery’s Wurlitzer organ originally installed in Brisbane’s Regent Theatre in November 1929.

Featured image: Production still from Wings 1927 / Dir: William A Wellman

Related Stories

  • Read

    Fairy Tales: Unmissable films & live music in April

    In April, we explore the changing role of women in fairy tale cinema. Girls and women have been central protagonists of fairy tales for millennia, with the earliest recorded ‘Cinderella’ story dated to the year 7 BC. The experiences of women in fairy tales reveal much about the times in which they are told, as the rules, expectations, and possibilities for women’s lives have shifted. Cinema, a relatively new medium for storytelling, has become a site where older stories are reimagined to reflect contemporary gender politics. This month, familiar fairy tale narratives are unpacked and reenvisaged, as women and girls navigate complex social landscapes, discovering new worlds, and resisting injustice. Screening this week & upcoming Fairy Tales Cinema: Truth, Power and Enchantment’ is presented in conjunction with Brisbane’s Gallery of Modern Art’s (GOMA) blockbuster summer exhibition ‘Fairy Tales’. ‘Fairy Tales’ unfolds across three themed chapters. ‘Into the Woods’ which explores the conventions and characters of traditional fairy tales alongside their contemporary retellings. ‘Through the Looking Glass’ presents newer tales of parallel worlds that are filled with unexpected ideas and paths. ‘Ever After’ brings together classic and current tales to celebrate aspirations, challenge convention and forge new directions. Travel with us in our weekly series through each room and theme of the ‘Fairy Tales’ exhibition as we introduce you to some of the works while curator Sophie Hopmeier picks her unmissable films each month during the program. #1 Pan’s Labyrinth (2006) MA 15+ Guillermo del Toro’s beloved story of enchantment set during the Franco dictatorship in Spain is a ruthless, but mesmerising coming of age fairy tale. Living under the thumb of her sadistic stepfather, Ofelia is led to an underworld realm populated by fairies and fantastic creatures such as a faun, who believe she is destined to be their immortal princess. Asked to complete three tasks, Ofelia’s quest leads her between the world of fantasy (rendered with an exquisite combination of animatronics, make-up and CGI) and the brutal, realistic depiction of a struggle between fascism and the republican resistance. 6.00pm, Friday 12 April 2024 Pan’s Labyrinth will screen from an archival 35mm print. #2 Alice (1988) M When Alice follows the White Rabbit into Wonderland she embarks on uncanny expedition into an astonishing landscape, encountering many dangerous and disconcerting adventures along the way. Jan Švankmajer’s first feature film is a strikingly original interpretation of Lewis Carroll’s nineteenth-century fairy tale, which strongly influenced the development of subsequent Surrealist art and film movements. Švankmajer’s Alice draws on this legacy, blending live-action and stop-motion animation and amplifying the psychoanalytic qualities of Carroll’s story. 1.00pm, Sunday 7 April 2024 #3 The Match Factory Girl (1990) Ages 15+ Aki Kaurismäki’s darkly humorous The Match Factory Girl is a ‘Cinderella’ story devoid of enchantment. Iris (Kati Outinen) lives with her mother and stepfather, who expect her to both serve them domestically, and hand over her pay packet from her job on the production line in a match factory. Dreaming of fairy-tale romance, Iris buys a special dress and goes out to a nightclub where she meets Aarne (Vesa Vierikko), who takes her home, thinking she is a prostitute. When Iris realises her prince charming is no such thing, she coolly seeks vengeance on those who have wronged her. Shot with Kaurismäki’s trademark unyielding flat tone and deadpan humour in the face of injustice, the film explores the difficulties of manifesting the ‘happily ever after’ ideal as a working-class woman. 3.15pm, Sunday 14 April 2024 #4 Bluebeard (2009) Ages 18+ In this feminist retelling of Charles Perrault’s classic serial killer fairy tale, Catherine Breillat vividly captures the dynamic of curiosity, vulnerability and vengeance central to the original story, whilst reflecting on the nature of storytelling on screen. Cutting between the parallel worlds of two sisters reading Perrault’s story, and the story itself, the film throws the gendered power which underpins many of the great French literary fairy tales into sharp relief, pointing to the ongoing relevance of these stories in our lives today. 6.00pm, Friday 26 April 2024 #5 Petite Maman (2021) G The transition between girlhood to womanhood is a recurrent theme in fairy tales, and takes centre stage in this profound and luminous film by Céline Sciamma. When eight-year-old Nelly (Joséphine Sanz) accompanies her mother to her recently deceased grandmother’s house, she encounters another mysterious young girl (Gabrielle Sanz) in the woods. Capturing a child’s sense of wonder, Sciamma creates the possibility of time collapsing to transcend the inevitable cusp between child and adult. 3.15pm, Sunday 28 April 2024 #6 Our wild card Live Music & Film | Ticketed Häxan (1922) Ages 15+ Benjamin Christensen’s wickedly humorous 1922 docufiction tracing the history of witches from the Middle Ages to the twentieth century is a tour de force of the weird, chilling, and supernatural. Blending an episodic account of the occult with lurid hallucinatory horror, Häxan holds a well-deserved place as one of the preeminent works of silent cinema. Post classical composer Madeleine Cocolas will provide newly composed live accompaniment to the film. 6.30pm, Friday 5 April 2024 Häxan will screen from an archival 35mm print. Buy Tickets Film props & costumes on display in the ‘Fairy Tales’ exhibition From ‘La Belle et la Bête’ (Beauty and the Beast) (1946) From ‘Peau d’Âne’ (Donkey Skin) (1970) From ‘Labyrinth’ (1986) From ‘Where the Wild Things Are’ (2009) From ‘Alice in Wonderland’ (2010) From Mirror Mirror (2012) From ‘Cinderella’ (2015) View the full film program (2 Dec 2023 – 28 Apr 2024) Alice 1988 Alice in Wonderland 2010 Barbe bleue 2009 Beauty and the Beast 2017 Blancanieves 2012 Blaze 2022 Border 2018 Careful 1992 Cinderella 2015 Cinderella Moon 2010 Claire 2001 / Live Music & Film Crumbs 2015 Donkey Skin 1970 Dreams 1990 Häxan 1922 Live Music & Film Kummatty 1979 La Belle et la Bête 1946 Labyrinth...
  • Read

    Fairy Tales: Unmissable films & live music in March

    In March we venture into the surreal outer reaches of fairy tale cinema. The enchantment of fairy tales lies in their fantastical elements, which conjure uncanny images like pumpkin carriages, magic carpets, or houses made of gingerbread. Fairy tales significantly influenced the development of Surrealism, with Lewis Carroll’s Alice’s Adventures in Wonderland (1865) acknowledged as a forerunner to the twentieth century art movement. Cinema presents rich ground for the weird and wonderful forms of fairy tales to take shape in all their glory, presenting visions which are beyond reality, and drawing together the familiar and the strange in compelling ways. Jean Cocteau ‘La Belle et la Bête (Beauty and the Beast)’ 1946 ‘Adélaïde’ costume | ‘La Belle et la Bête (Beauty and the Beast)’ 1946 While films like Jean Cocteau’s La Belle et la Bête 1946 (illustrated) is a paragon of surrealist fairy tale cinema, the strange and magical reimagination of older stories has continued and flourished, with fairy tale forms appearing in a vast array of filmmaking traditions. Screening this week & upcoming ‘Fairy Tales Cinema: Truth, Power and Enchantment’ is presented in conjunction with Brisbane’s Gallery of Modern Art’s (GOMA) blockbuster summer exhibition ‘Fairy Tales’. ‘Fairy Tales’ unfolds across three themed chapters. ‘Into the Woods’ which explores the conventions and characters of traditional fairy tales alongside their contemporary retellings. ‘Through the Looking Glass’ presents newer tales of parallel worlds that are filled with unexpected ideas and paths. ‘Ever After’ brings together classic and current tales to celebrate aspirations, challenge convention and forge new directions. Travel with us in our weekly series through each room and theme of the ‘Fairy Tales’ exhibition as we introduce you to some of the works while curator Sophie Hopmeier picks her unmissable films each month during the program. #1 The Lure (2015) Ages 18+ This visceral and glittering interpretation of Hans Christian Andersen’s ‘The Little Mermaid’ transposes the beloved tale to gritty 1980s Poland. When two carnivorous mermaid sisters come ashore, their tantalising siren songs and otherworldly aura make them overnight sensations as nightclub singers. A savage coming-of-age fairy tale with a catchy new-wave soundtrack, lavishly grimy sets, and outrageous musical numbers, The Lure explores its themes of sexuality, exploitation, and the compromises of adulthood with energy and originality. 6.00pm, Friday 1 March 2024 #2 Thrilling Bloody Sword (1981) Ages 18+ A Taiwanese fantasy action remake of ‘Snow White and the Seven Dwarfs’, Thrilling Bloody Sword is a mind-boggling adventure. Set in a strange land, the daughter born of a queen and a comet is abandoned and taken in by a kindly group of outcasts. When she falls in love with a prince, their happily ever after is thwarted by a pair of wizards who control a bevy of bizarre creatures including an enormous set of teeth. This imaginative and unforgettable fairy tale reinterpretation is a delightful psychotronic romp. 6.00pm, Friday 8 March 2024 & 8.30pm, Friday 12 April 2024 #3 Crumbs (2015) Ages 15+ In post-apocalyptic Ethiopia, where the vestiges of twentieth-century pop culture — from Michael Jordan to the Teenage Mutant Ninja Turtles — are worshipped as holy relics, a dormant UFO mothership hovering in the sky reawakens. Candy (Daniel Tadesse), a scavenger, embarks on a journey in search of Santa Claus through a surreal wonderland of characters including witches and Nazi knights. In this dream-like film, Candy’s and our own ideas about what constitutes a happy ending are called into question. 8.00pm, Friday 8 March 2024 & 3.00pm, Sunday 21 April 2024 #4 Dreams (1990) PG Dreams is a series of eight, loosely related magical stories, based on Akira Kurasawa’s own dreams. In each vignette a Kurosawa surrogate played by various actors passively engages with surreal and archetypal situations including a fox’s wedding, an enchanted peach tree orchard, a weeping demon and a village forgotten by time. Shot with Kurosawa’s signature dynamic composition, this trancelike film highlights the close relationship between Japanese folklore, fairy tales and our unconscious fears and desires. 12.45pm, Sunday 17 March 2024 This screening will be introduced by Dr Lucy Fraser, University of Queensland #5 Picnic at Hanging Rock (1975) PG On Valentine’s Day in 1900, a party of schoolgirls go on a picnic at the base of Hanging Rock in Victoria’s rugged Mount Macedon area. During the course of the afternoon three girls and their headmistress mysteriously go missing while exploring the rock. Seduced by the mysteries of the landscape, the ethereal young women vanish without a trace. Drawing on the fairy tale theme of lost children, Picnic and Hanging Rock’s uncanny reading of the Australian landscape has left an indelible mark on the national psyche. 3.15pm, Sunday 17 March 2024 Our wild cards Live Music & Film | Ticketed Claire (2001) Ages 15+ Loosely based on a 10th century Japanese story, Claire follows an elderly male couple on a farm in the 1920s American South who find a little girl from the moon inside an ear of corn and raise her as their own. This dreamlike black and white silent film was shot on an antique hand-crank 35mm (Mitchell Standard) camera. Organist David Bailey will provide newly composed live accompaniment to the film on the Gallery’s 1929 Wurlitzer organ. 11.00am, Sunday 3 March 2024 Buy Tickets Claire will screen from an imported 35mm print. Upcoming in April Live Music & Film | Ticketed Häxan (1922) Ages 15+ Benjamin Christensen’s wickedly humorous 1922 docufiction tracing the history of witches from the Middle Ages to the twentieth century is a tour de force of the weird, chilling, and supernatural. Blending an episodic account of the occult with lurid hallucinatory horror, Häxan holds a well-deserved place as one of the preeminent works of silent cinema. Post classical composer Madeleine Cocolas will provide newly composed live accompaniment to the film. 6.30pm, Friday 5 April 2024 Buy Tickets ...