Australian artist Hilda Rix Nicholas (1884-1961) made a significant contribution to art in the period between the First and Second World Wars, fusing a nationalist sentiment with her technical insights into French impressionism and post-impressionism.

Born in Ballarat in 1884, from 1902-05 Hilda Rix studied at the Melbourne National Gallery School under Frederick McCubbin. Arthur Streeton was a family friend and it is thought that he encouraged her to study in Europe. She left Melbourne in March 1907 to study in London and Paris; she travelled extensively in Spain and North Africa, and painted during the summers at Etaples in Picardy.

At the outbreak of the First World War Rix and her family were evacuated to London where her sister died of typhoid in 1914, and her mother passed soon after in 1915. Then her husband of one-month, Major George Matson Nicholas, DSO, of the 24th Battalion AIF, was killed on active service in 1916. Following his death she returned to Australia in 1918 and turned to art to express her grief, painting works which commemorate the heroism of the Australian soldier.

DELVE DEEPER: Hilda Rix Nicholas

RELATED WORKS IN THE COLLECTION: ANZAC stands for Australian and New Zealand Army Corps, the soldiers in those forces became known as ANZACs. Anzac Day is a commemoration of the anniversary of the landing of those troops at Gallipoli, Turkey on 25 April in 1915 / 11 November is Remembrance Day, the memorial day observed at the 11th hour of the 11th day of the 11th month since the end of the First World War in 1918 to honour those who have died in the line of duty.

Hilda Rix Nicholas ‘Two soldiers’

Hilda Rix Nicholas, Australia 1884-1961 / Two soldiers 1918 / Charcoal and crayon on cream canvas board / 72.6 x 58.6cm (comp.) / Gift of Rix Wright 1971 / Collection: Queensland Art Gallery | Gallery of Modern Art / © Estate of the artist

Hilda Rix Nicholas, Australia 1884-1961 / Two soldiers 1918 / Charcoal and crayon on cream canvas board / 72.6 x 58.6cm (comp.) / Gift of Rix Wright 1971 / Collection: Queensland Art Gallery | Gallery of Modern Art / © Estate of the artist / View full image

Two soldiers

Completed two years after her husband’s death, the spirited portrait Two soldiers 1918 depicts two Australian soldiers on leave during the First World War. Emphasising the comradery that can emerge during wartime, the sentiment of the work positively aligns with the ANZAC mythology and reveals the artist’s belief in the character and dignity of the Australian soldier.

ANZAC stands for Australian and New Zealand Army Corps. The soldiers in the First World War quickly became known as ANZACs, and the pride they took in that name endures to this day. ANZAC Day, 25 April, marks the anniversary of the first campaign that led to major casualties and commemorates all the conflicts that followed.

Related Stories

  • Read

    Australian patriotic filet crochet

    Originating in the late 19th century and evolving from traditional lace-making techniques, filet (French word for net) crochet was a popular craft before, during and after the Great War (World War One) 1914–18. Using thin cotton threads in white, filet crochet is a technique that involves creating intricate designs using a combination of open and closed mesh squares. Women would make designs into decorative or functional items for the home ranging from curtains, wraps and shawls, tablecloths, coasters, placemats, and table runners to decorative edging for clothing. Wartime knitting and crochet in Australia was a means by which women worked to support soldiers on the battlefield. From 1914 until the end of the war, besides socks, caps, and gloves knitted for those serving overseas, women’s magazines and newspaper supplements included craft patterns to keep up patriotic sentiments at home. Here, we delve into some exceptionally well kept patriotic examples within our Collection from World War One and Two. ‘For King and Country’ c.1914 Military themes were popular with images such as doves, flags, soldiers, medals and crowns along with slogans such as For King and Country c.1914 (illustrated) used in this jug cover. ‘Cross and crown’ c.1914 Cross and crown c.1914 (illustrated) is a bold statement made against the dominant religious and imperial systems that shaped Australia’s involvement in World War One. ‘Lone Pine’ c.1915 Lone Pine c.1915 (illustrated) represents the solitary lone pine tree on the Gallipoli Peninsula in Turkey (Türkiye). The tree was used as target practice before it was shattered by shell fire at the Battle of Lone Pine in August 1915. One of the most famous assaults of the campaign by Australian forces; it was four days of intense hand-to-hand fighting with over 2000 casualties. Pines were then planted as memorials in parks around Australia to remember soldiers who fought and lost their lives in Gallipoli. This panel consists of the words ‘Lone Pine’ with the image of a pine tree; ‘Greater Love’ with an image of two flags; ‘Rest in Peace’ with the image of a shield; with each section of text separated by a row of small flags. The Lone Pine at the Gallipoli Peninsula By 1918, at the 11th hour on the 11th day of the 11th month, the war ended after more than four years of continuous warfare — Germany signed an armistice agreement with the Allies in France — an agreement in which both sides agreed to stop fighting, rather than a surrender. ‘Peace’ c.1919 The antimacassar Peace c.1919 (illustrated) celebrates the end of the war with a design of flags, sprigs of wattle, kangaroo, peace dove with olive branch, and emu, while featuring a patriotic verse ‘After years of strife — The triumph of liberty and justice — Peace 1919 — Float our bunting on the breeze — Australias flag of pride — For which her many valiant sons — So nobly fought and died — Fighting in a cause thats right — To show our foes Australias might’. World War One, was to be known as the war to end all wars, however the peace treaty that officially ended the conflict — the Treaty of Versailles of 1919 — unfortunately laid the groundwork for World War Two, just two decades later. ‘The Aussies and Yanks are here’ c.1942 This doily from World War Two c.1942, bears the words ‘The Aussies and the Yanks are Here’ (illustrated). The phrase is a reference to a popular song of the same name originally performed as entertainment aboard a United States troopship bound for Australia. The song gained popularity in Australia with sheet music printed and a recording made by Bert Howell and his Show Band, a band dominating radio and the entertainment industry. The national papers reported: ‘The troopship was ploughing its way across the Pacific, Australia bound, when 27-year-old Private Johnny B Nauer, of Saginaw, Michigan, had an idea. His flying pencil jotted it down on the back of an envelope. On Sunday, April 19 [1942], at 8.45 p.m. (S.A.T.) national and commercial radio stations in Australia will put over Johnny’s idea when they introduce to Australia the lilting war song The Aussies and the Yanks are Here’. ‘The Aussies and the Yanks are here’ sheet music American servicemen on a convoy ship bound for Australia Armistice Day, first proclaimed in 1919 — the date and time attaining a special significance in the post-war years — was renamed Remembrance Day after World War Two to commemorate those who were killed in both World Wars, and where a minute’s silence is observed and dedicated to those soldiers who died fighting to protect the nation. At 11am on 11 November we will remember them. Lest we forget. Curatorial extracts, research and supplementary material by Elliott Murray, Senior Digital Marketing Officer, QAGOMA
  • Read

    The horse: Companion & muse

    The horse has been a integral part of human history for millennia, prized both for their agility, speed and endurance, or strength needed to pull a plow or a carriage full of people. However, improved transportation options towards the end of the 1800s, especially the construction of railways, and the development of new mechanical innovations from the early twentieth century — including the first mass-affordable automobile, ultimately superseded the four legged version of horsepower and ousting our daily reliance on the horse. Stan Berriman ‘A man and a boy ploughing a field’ 1938 Even so, the horse is still part of our daily conversation today with a myriad of horse-related expressions that have been handed down to us over the ages; and when Australia stops for one of the most famous races in the world on the first Tuesday of November, we are reminded of popular horse racing terminology that has also made its way into our everyday language with ‘Jockeying into position’ and ‘Starting from scratch’; and who isn’t tempted to hang a horseshoe over the door for good luck? Let’s look at the works currently on display, and some of our favourites in storage that feature the horse — they transport us around in grand carriages, we ride them, race them, study them, document their lives, they are a status and power symbol, our ally in war, we cherish them as close companions, and most importantly, they inspire us to create. So, next time you visit the Gallery, see how many horses you can find, also check out our round-up of cats and dogs in the Collection. ‘Horse head’ 202BC-AD8 (Western Han dynasty) ‘Horse’ 618-907 (Tang dynasty) Albrecht Dürer ‘The Four Horsemen of The Apocalypse’ 1497–98 Tosa Mitsuatsu ‘Pair of six fold screens’ 18th century Utagawa Hiroshige III ‘View of trading companies at Yokohama‘ 1871 ‘Netsuke: (two horses)‘ 19th century George Jones ‘Black horse’ ST Gill ‘Overlanders’ 1865 William Strutt ‘Study of a horse’s head‘ 1884 Harriet Jane Neville-Rolfe ‘Breakfast, Alpha’ 1884 ‘Racing trophy: The Wythes and Hodgson Cup’ c.1870-73 Eadweard Muybridge ‘Dan’ galloping, saddled’ 1887 Hans Heysen ‘The grass stack‘ 1906 George W Lambert ‘Bushranger‘ George W. Lambert ‘Walk (An incident at Romani)’ 1919-22 Ethel Spowers ‘Birds following a plough’ 1933 Hilda Rix Nicholas ‘The fair musterer’1935 Irene Mbitjana Entata ‘Albert Namatjira droving‘ 2001 Nick Cave ‘HEARD’ 2012 Elliott Murray is Senior Digital Marketing Officer, QAGOMA