Looking for a free weekend outing for the family, a spot to socilaise with friends, or maybe a relaxing space to spend some 'me time'? Head to the cool confines of Brisbane's most visited galleries. The Queensland Art Gallery (QAG) and Gallery of Modern Art (GOMA) are both nestled beside the Brisbane River and just a short stroll along the river-front from the South Bank Parklands.

QAG and GOMA are just 150 metres apart — each has a distinct artwork display focus and unique architectural personalities. QAG's characteristic concrete brutalist exterior, emerging from the modernist movement, won the most outstanding public building in Australia when it opened in 1982. GOMA, on the other hand, is defined by a dual black box/white box architectural arrangement, with a bold pavilion-style design influenced by the traditional ‘Queenslander’ home. It won both National and State awards for Public Architecture when it opened in 2006. Both buildings, in their own way, changed the face of the city’s South Bank waterfront.

What they have in common, however, is together they offer a creative and cultural hub for Brisbane and Queensland — a place where people come together to relax, to be inspired and where imagination and creativity spark as visitors young and old, from different walks of life, enjoy a stunning mix of Australian, Pacific, Asian and International art.

Queensland Art Gallery

Queensland Art Gallery, Melbourne Street entrance

Queensland Art Gallery, Melbourne Street entrance / View full image

Gallery of Modern Art

Gallery of Modern Art, Stanley Place entrance

Gallery of Modern Art, Stanley Place entrance / View full image

These adjacent buildings are easy to wander through, their spacious interiors exuding calm and allowing rejuvenating daylight to stream inside. QAG speaks to the Brisbane River, with its spectacular cavernous interior and central Watermall parallel with the river just outside, while GOMA and it's vast central Long Galley, is about connecting with the city, every time you step out of an exhibition space you re-engage with the Brisbane skyline and its multiple river vistas.

So now it’s up to you to choose your weekend escape — QAG, GOMA, or maybe both? Visit QAG to reacquaint yourself to our Collection favourites on permanent display — maybe it's the Picasso, Degas or Toulouse-Lautrec, or our best-loved Australian artists, or currently installed in both buildings until 27 April 2025 are innovative, beautiful and thought-provoking works of art from more than 30 countries as part of the Asia Pacific Triennial of Contemporary Art.

Watch | Asia Pacific Triennial: Art that makes an impact

Queensland Art Gallery

Mit Jai Inn's Triennial Watermall installation

Before installation could begin on Mit Jai Inn's Triennial installation, the Watermall needed to be drained so that our team could prepare the eights parts of the two-sided suspended canvas tunnel which will lead you through a narrow path built above water. Its immense buoyant ribbon panels that hang like warp looms inhabits a space between ground and ceiling. Watch our installation time-lapse before you visit.

Mit Jai Inn, Thailand b.1960 / (left to right) Untitled (Totem #APT) 2024 / Untitled (Scroll #APT) 2024 / Untitled (Tunnel #APT) 2024 / Oil on canvas / Site specific work commissioned for ‘The 11th Asia Pacific Triennial of Contemporary Art’ 2024, Queensland Art Gallery / © Mit Jai Inn / Courtesy: The artist and Silverlens, Manila and New York / Photograph: C Callistemon © QAGOMA

Mit Jai Inn, Thailand b.1960 / (left to right) Untitled (Totem #APT) 2024 / Untitled (Scroll #APT) 2024 / Untitled (Tunnel #APT) 2024 / Oil on canvas / Site specific work commissioned for ‘The 11th Asia Pacific Triennial of Contemporary Art’ 2024, Queensland Art Gallery / © Mit Jai Inn / Courtesy: The artist and Silverlens, Manila and New York / Photograph: C Callistemon © QAGOMA / View full image

Collection highlight: Pablo Picasso

Surrounded by works from Henri de Toulouse-Lautrec and Edgar DegasLa Belle Hollandaise (The beautiful Dutch girl) 1905 is a key painting by Pablo Picasso, the work donated to the Gallery in 1959, at the time this major work by one of the greatest living twentieth century masters set a world record price at £55,000. Watch the auction to go back in time before you visit.

Pablo Picasso, Spain 1881–1973 / La Belle Hollandaise 1905 / Gouache, oil and chalk on cardboard laid down on wood / 77.1 x 65.8cm / Purchased 1959 with funds donated by Major Harold de Vahl Rubin / Collection: Queensland Art Gallery | Gallery of Modern Art / © Succession Picasso/Copyright Agency

Pablo Picasso, Spain 1881–1973 / La Belle Hollandaise 1905 / Gouache, oil and chalk on cardboard laid down on wood / 77.1 x 65.8cm / Purchased 1959 with funds donated by Major Harold de Vahl Rubin / Collection: Queensland Art Gallery | Gallery of Modern Art / © Succession Picasso/Copyright Agency / View full image

Collection highlight: Indigenous Australian art

Artistic expressions from the world's oldest continuing culture are drawn from all regions of the country in the Gallery's holdings of Indigenous Australian artworks.

Walangkura Napanangka's Untitled (Tjintjintjin) 2006 depicts the rockhole and cave site of Tjintjintjin, to the west of Walungurra (Kintore) in Western Australia. The symbols in this painting map out the area's geographical features, through which ancestor figure Kutungka Napanangka passed on her travels across the Gibson Desert during the creation time.

Walangkura Napanangka, Pintupi people, Australia c.1946–2014 / Untitled (Tjintjintjin) 2006 / Synthetic polymer paint on Belgian linen / 183 x 244cm / Purchased 2008.The Queensland Government's GOMA Acquisitions Fund / Collection: Queensland Art Gallery | Gallery of Modern Art / © Walangkura Napanangka Estate

Walangkura Napanangka, Pintupi people, Australia c.1946–2014 / Untitled (Tjintjintjin) 2006 / Synthetic polymer paint on Belgian linen / 183 x 244cm / Purchased 2008.The Queensland Government's GOMA Acquisitions Fund / Collection: Queensland Art Gallery | Gallery of Modern Art / © Walangkura Napanangka Estate / View full image

Kaapa Mbitjana Tjampitjinpa's  Goanna Story c.1973-74 is from one of the traditional dreaming stories, and this work shows four of the reptiles moving towards a waterhole.

Kaapa Mbitjana Tjampitjinpa, Anmatyerre/Arrernte people, Australia c.1925–89 / Goanna Story c.1973–74 / Synthetic polymer paint on board / 76 x 60.2cm / Purchased 1996 with funds from National Australia Bank Limited through the QAG Foundation / Collection: Queensland Art Gallery | Gallery of Modern Art / © Kaapa Mbitjana Tjampitjinpa Estate/Licensed by Aboriginal Artists Agency

Kaapa Mbitjana Tjampitjinpa, Anmatyerre/Arrernte people, Australia c.1925–89 / Goanna Story c.1973–74 / Synthetic polymer paint on board / 76 x 60.2cm / Purchased 1996 with funds from National Australia Bank Limited through the QAG Foundation / Collection: Queensland Art Gallery | Gallery of Modern Art / © Kaapa Mbitjana Tjampitjinpa Estate/Licensed by Aboriginal Artists Agency / View full image

Drawing from the Collection

On any day at QAG, get creative and pick up our free drawing materials and draw from your favourite works on display. Just grab a drawing board, paper and pencil, then take inspiration from the art around you in either the permanent Australian or International Art Collections.

Drawing from the Australian Art Collection featuring Under the jacaranda by R Godfrey Rivers / Photograph: K Bennett © QAGOMA

Drawing from the Australian Art Collection featuring Under the jacaranda by R Godfrey Rivers / Photograph: K Bennett © QAGOMA / View full image

QAG Cafe

If you work up an appetite on your visit, enjoy a bite to eat at the QAG Cafe. Perfect for some quiet contemplation beside the Watermall's Dandelion fountains, reflection pond and Sculpture Courtyard or head inside beside Tamika Grant-Iramu's striking landscape mural of frangipani and bougainvillea.

Tamika Grant-Iramu, Papua New Guinean, European and Torres Strait Islander heritage, Australia b.1995 / A Verdant Landscape 2025, QAG Cafe 2025 / Hand-painted mural, design derived from original relief-print on paper / Commissioned 2025 with funds from the Queensland Art Gallery | Galley of Modern Art Foundation / © Tamika Grant-Iramu / Photographs: J Ruckli © QAGOMA

Tamika Grant-Iramu, Papua New Guinean, European and Torres Strait Islander heritage, Australia b.1995 / A Verdant Landscape 2025, QAG Cafe 2025 / Hand-painted mural, design derived from original relief-print on paper / Commissioned 2025 with funds from the Queensland Art Gallery | Galley of Modern Art Foundation / © Tamika Grant-Iramu / Photographs: J Ruckli © QAGOMA / View full image

Gallery of Modern Art

Brett Graham's Triennial Long Gallery installation

Five dramatic sculptures of Brett Graham Tai Moana Tai Tangata installed in GOMA's central Long Gallery speak to structures created by both the British and Māori during the New Zealand wars (1845–72). Deeply researched to ensure that they directly address Tainui and Taranaki Māoris’ experiences of British occupation, each of these works is superbly crafted, with materials carefully selected to ensure a strong physical and spiritual resonance for Māori.

Brett Graham’s monumental installation Tai Moana Tai Tangata 2024 installed in 'The 11th Asia Pacific Triennial of Contemporary Art', Gallery of Modern Art / © Brett Graham / Photographs: C Callistemon © QAGOMA

Brett Graham’s monumental installation Tai Moana Tai Tangata 2024 installed in 'The 11th Asia Pacific Triennial of Contemporary Art', Gallery of Modern Art / © Brett Graham / Photographs: C Callistemon © QAGOMA / View full image

Collection highlight: Mele Kahalepuna Chun

Mele Kahalepuna Chun is a kumu hulu — a recognised expert practitioner and teacher of Hawaiian featherwork — based on the island of O‘ahu in Hawai‘i. Chun describes her continued engagement with the artform as the fulfilment of her kuleana — her sacred responsibility to serve her community and honour the ho‘oilina (legacy) of her family through the ongoing custodianship and advancement of this artform. Watch Chun describe the featherwork on display.

Collection highlight: Nomin Bold

Cup of Life 2023 is an imposing curtain of grinning skulls that combines painter Nomin Bold’s use of Buddhist symbolism with sculptor Ochirbold Ayurzana’s practice as a metalworker. Of commanding scale and panoramic format, the work consists of almost 2000 cast-metal skulls suspended on taut wires, fixed floor to ceiling. Watch our installation time-lapse

Free children activities

Children are our future appreciation group, we welcome families with children of all ages to the Children’s Art Centre. Visit GOMA to experience seven activities for Asia Pacific Triennial Kids in collaboration by artists from India, Aotearoa New Zealand, Malaysia, Saudi Arabia/Palestine, Cambodia and Timor-Leste. Choose your favourite before you visit.

Brett Graham, Ngāti Korokī Kahukura, Tainui Aotearoa New Zealand b.1967 / Wakuwaku 2024 installed in the Children's Art Centre for Asia Pacific Triennial Kids / Paper templates, crayons, MDF, steel, paint / A collaboration between Brett Graham and QAGOMA / Commissioned for Asia Pacific Triennial Kids with support from the Tim Fairfax Family Foundation / © Brett Graham / Photographs: J Ruckli © QAGOMA

Brett Graham, Ngāti Korokī Kahukura, Tainui Aotearoa New Zealand b.1967 / Wakuwaku 2024 installed in the Children's Art Centre for Asia Pacific Triennial Kids / Paper templates, crayons, MDF, steel, paint / A collaboration between Brett Graham and QAGOMA / Commissioned for Asia Pacific Triennial Kids with support from the Tim Fairfax Family Foundation / © Brett Graham / Photographs: J Ruckli © QAGOMA / View full image

Free cinema

The Australian Cinémathèque at GOMA provides an ongoing program of film and video that you're unlikely to see elsewhere. Search what weekend matinee is screening when you visit. GOMA is the only Australian art gallery with purpose-built facilities dedicated to film and the moving image, and hidden beneath the stage and only revealed for special screenings is our much-loved 1929 Wurlitzer Style 260 Opus 2040 Pipe Organ, its original home Brisbane’s Regent Theatre which opened in November 1929. Find out how it ended up at GOMA.

Production still from Delivery Dancer’s Sphere 2022 / Director: Ayoung Kim / Image courtesy: Oyster Films

Production still from Delivery Dancer’s Sphere 2022 / Director: Ayoung Kim / Image courtesy: Oyster Films / View full image

GOMA Cafe

Over at GOMA, our new cafe offers a traditional lunch selection, small plates for sharing and a range of pastries and cakes baked daily, dine at a table inside or on the balcony. This exciting new outlet has opened with the temporary closure of the GOMA Bistro as we install Tony Albert and Nell’s play sculpture The BIG HOSE on the river’s edge. Find out more about the upcoming artist-designed play sculpture.

GOMA Cafe / Photographs: J Ruckli © QAGOMA

GOMA Cafe / Photographs: J Ruckli © QAGOMA / View full image

We look forward to welcoming you to QAGOMA. Enjoy your visit!

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    30 minutes or 3 hours: Here’s the best way to spend your time on a visit to QAGOMA

    If you’re a local or visiting Brisbane, whether you have a spare 30 minutes to drop in for a dose of art at either of our neighbouring buildings — the Queensland Art Gallery and Gallery of Modern Art — or a leisurely 3 hours to wander both sites, here are some suggestions to make the most of your visit. Pick and choose your preferences from the range of contemporary and historical Australian, Asian, Pacific and international art on display.There’s something for everyone, whether you’re aged 3 or 103. Queensland Art Gallery The Queensland Art Gallery building opened in 1982 as part of the first stage of the Queensland Cultural Centre at South Bank; until then, the Gallery never had a purpose-built permanent home. Designed around the Brisbane River, the spectacular Watermall’s cavernous interior runs parallel to the waterway threading its way through the ‘River City’. Collection highlight: Australian art The work of Australian artists have been collected by the Queensland Art Gallery since its foundation in 1895, however few works in our Collection have enjoyed as much popularity as Under the jacaranda 1903 by R Godfrey Rivers (illustrated). Considered a quintessential image of Brisbane, the clouds of purple blooms capture the attention of Gallery visitors and has ensured the painting’s enduring appeal. Hanging alongside is Monday morning 1912 by Vida Lahey (illustrated), another of the Gallery’s most loved works. The painting of two young women doing the family wash, once a common sight in Australian households, now a recording of a by-gone era. Interesting facts: Under the jacaranda depicts the first jacaranda tree grown in Australia, planted in Brisbane’s Botanic Gardens in 1864; while the laundry room depicted in Monday morning was located in the artist’s home, at the time piped water and built-in concrete troughs were considered modern conveniences! Location: Australian Art Collection, Josephine Ulrick and Win Schubert Galleries (10-13) R Godfrey Rivers Under the jacaranda 1903 Vida Lahey Monday morning 1912 Collection highlight: Contemporary Australian art The jewellery-like intimacy of Fiona Hall’s Australian set (from ‘Paradisus Terrestris Entitled’ series) 1998–99 (illustrated) is a juxtaposition between culture and nature; human body parts combine with native botanical species. Interesting fact: The artist has transformed humble disposal sardine-tins by engraving, chasing and burnishing in the tradition of the colonial silversmith. Location: Australian Art Collection, Josephine Ulrick and Win Schubert Galleries (10-13) Fiona Hall Australian set 1998–99 Collection highlight: Indigenous Australian art Artistic expressions from the world's oldest continuing culture are drawn from all regions of the country in the Gallery's holdings of Indigenous Australian artworks. Kaapa Mbitjana Tjampitjinpa was a well-known artist and respected Elder of Anmatyerre/Arrernte heritage. Goanna Story c.1973-74 is from one of the traditional dreaming stories, and this work shows four of the reptiles moving towards a waterhole. Interesting fact: The artwork has a strong sense of symmetry; one half is a mirror image of the other. Location: Australian Art Collection, Josephine Ulrick and Win Schubert Galleries (10-13) Kaapa Mbitjana Tjampitjinpa Goanna Story c.1973–74 Collection highlight: International art Surrounded by works from Henri de Toulouse-Lautrec (illustrated) and Edgar Degas (illustrated), La Belle Hollandaise (The beautiful Dutch girl) 1905 (illustrated) is a key painting that marks a transition from the subdued hues and emaciated figures of Pablo Picasso’s ‘blue period’ to the serenity and warmth of the ‘rose period’. Picasso must have been pleased with the result — he inscribed the work at the top left as a gift to Paco Durio, his dear friend and neighbour in the Parisian suburb of Montmartre. Interesting fact: Pablo Picasso's La belle Hollandaise was donated to the Gallery in 1959; at the time this major work by one of the greatest living twentieth century masters; set a world record price at £55,000. Location: International Art Collection, Philip Bacon Galleries (7-9) Pablo Picasso La Belle Hollandaise 1905 Henri de Toulouse-Lautrec Tete de fille (Head of a girl) 1892 Edgar Degas Three dancers at a dance class c.1888-90 Exhibition highlight: The Asia Pacific Triennial For more than three decades, the Asia Pacific Triennial of Contemporary Art has showcased an evolving mix of the most exciting and important developments in contemporary art from across Australia, Asia and the Pacific. During the 11th chapter, wander through Thai artist Mit Jai Inn’s suspended canvas tunnel in the Watermall (illustrated), its immense hanging ribbon panels inhabit a space between ground and ceiling; then onto Papua New Guinea’s display by collective Haus Yuriyal (illustrated). Interesting fact: The inaugural Asia Pacific Triennial in 1993 was the first project of its kind in the world to focus on the contemporary art of Asia and the Pacific. ‘The 11th Asia Pacific Triennial of Contemporary Art’ which features the work of 70 artists, collectives and projects from 30 countries is at the Queensland Art Gallery and Gallery of Modern Art until 27 April 2025. Location: Queensland Art Gallery Mit Jai Inn Tunnel #APT 2024 Haus Yuriyal 2024 Roy and Matilda For those visiting with children of all ages, drop by the home of Roy and Matilda, two mice who one day decided to visit the Queensland Art Gallery, loved it so much, they decided to say. Just look for the letters 'R' and 'M' carved into their beautiful wooden front door. Interesting fact: One day, a man who worked in the Galley’s workshop restoring and carving frames found they were living here and decided to make them a special little front door. Location: Australian Art Collection, Josephine Ulrick and Win Schubert Galleries (10-13) Watermall & Sculpture Courtyard The Queensland Art Gallery’s grand Watermall — a visitor favourite for both regular art lovers and tourists — extends far beyond the Gallery’s interior; past the Dandelion fountains (illustrated) through to the reflection pond and Sculpture Courtyard. Why not relax and enjoy a quiet moment of contemplation at the adjoining QAG Cafe. Interesting facts:...
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    Looking back — extraordinary Triennial Watermall projects at QAG

    Opening on Saturday 30 November 2024, the 11th chapter of the Gallery’s flagship exhibition series — the Asia Pacific Triennial of Contemporary Art — will feature seventy artists, collectives and projects from more than 30 countries. We look back at all ten of the previous Triennial’s memorable installations on the Queensland Art Gallery Watermall, dating back to the first Triennial in 1993 — and give you a peek at the current installation by Thai artist Mit Jai Inn, featuring in our 11th Triennial. The Queensland Art Gallery was designed in harmony with the Brisbane River, and the Watermall runs parallel to the waterway that threads through the city. This grand indoor water feature is a visitor favourite — the perfect backdrop for spectacular contemporary art installations. Do you have a favourite Watermall artwork from the Triennial? 11th Asia Pacific Triennial | 30 November 2024 – 27 April 2025 Now on display for the 11th chapter of the Triennial, Thai artist Jai Inn has carefully orchestrated a series of works to inhabit the Watermall. Drawing on the structures of suspended ‘totems’, a scroll and a tunnel, Jai Inn’s response to the space’s unique architecture explores time and transformation. With these large-scale sculptural works, the artist has created layered views that reveal and conceal to enact portals between worlds. 10th Asia Pacific Triennial | 4 December 2021 – 25 April 2022 Kamruzzaman Shadhin has been at the forefront of developing new possibilities for contemporary art in Bangladesh. Suspended over the Watermall for the tenth Triennial in 2021, The fibrous souls was a collaborative installation with the Gidree Bawlee Foundation of Arts. Constructed with 70 giant shikas — embroidered, reticulated bags typically made of jute strings that are tied to an exposed beam — the installation explores part of Bengal’s colonial history, inspired by the families that followed the railway tracks after the British East India Company established the Eastern Bengal Railway. Shadhin worked with 13 women along with a handful of local craftspeople to create the pots and connecting jute ropes that laid out a map of the historic railway. 9th Asia Pacific Triennial | 24 November 2018 – 28 April 2019 My forest is not your garden was a collaborative installation by Singaporean artists Donna Ong and Robert Zhao Renhui. A critical take on attitudes towards the natural world of the tropics, this work for the ninth Triennial in 2018 integrated Ong’s evocative arrangements of artificial flora and tropical exotica — titled From the tropics with love — with Zhao’s The Nature Museum, an archival display narrating aspects of Singapore’s natural history, both authentic and fabricated. 8th Asia Pacific Triennial | 21 November 2015 – 10 April 2016 South Korean artist Haegue Yang transforms spaces through light, colour, objects and movement to ensure a constant shift in perception and experience. Installed for the eighth Triennial in 2015, Sol LeWitt Upside Down — Open Modular Cubes (Small), Expanded 958 Times consists of 1012 white Venetian blinds, arranged into grids and suspended from the Watermall ceiling in an inverted and expanded rendition of the ‘open modular cube’ structures, signature works of American conceptual artist Sol LeWitt (1928–2007). Yang has created an arrangement of ready-made household blinds whose overlapping slats may be read as either open or closed, depending on the position of the viewer. 7th Asia Pacific Triennial | 8 December 2012 – 14 April 2013 Ressort by Chinese artist Huang Yong Ping, was one of the signature works of the seventh Triennial in 2012. The gigantic aluminium snake skeleton dominated the Watermall as it spiraled 53 metres from the ceiling to the floor, coming down from the sky with its skull floating just above the water, metaphorically linking sky and water. Part of a series of large-scale sculptures that depict a snake or dragon, a central symbol in Chinese culture, as well as in many other countries around the world, the work plays on different interpretations of the snake, from creation and temptation to wisdom and deception. 6th Asia Pacific Triennial | 5 December 2009 – 5 April 2010 Pakistani artist Ayaz Jokhio’s major architectural project in the Watermall for the sixth Triennial in 2009, entitled a thousand doors and windows too…, took the form of an octagonal building, with each wall containing a mihrab, the niche in a mosque that points toward Mecca. The soaring structure takes its inspiration from a verse by Bhittai, the great Sindhi Sufi poet of the late Mughal era. Jokhio considers the work a piece of ‘conceptual architecture’; a physical translation of Bhittai’s expression of the omnipresence of God. 5th Asia Pacific Triennial | 2 December 2006 – 27 May 2007 Composed of 270 000 crystal pieces, Boomerang — first exhibited in the fifth Triennial in 2006 — is an imposing example of Chinese artist Ai Weiwei’s strategy of working playfully across cultural contexts. Shaped after the iconic Australian Aboriginal throwing tool, this oversized, intensely lit, waterfall-style chandelier filled the soaring space above the Watermall as if it were in a hotel’s grand foyer. Ai Weiwei has a history of bringing everyday things into art museum settings. He has long acknowledged the influence of early-twentieth-century artist Marcel Duchamp, who famously brought otherwise banal objects into a gallery and declared them art, thereby creating the ‘readymade’. Accordingly, Boomerang takes the chandelier, with its connotations of wealth and opulence, and enlarges it to absurd scale, shaping it into the motif of an object associated with exotic conceptions of Australia. 4th Asia Pacific Triennial | 12 September 2002 – 27 January 2003 Narcissus garden is an incarnation of the reflective work that has held Japanese artist Yayoi Kusama’s attention for many years. Kusama creates a floating carpet of mirrored spheres, the balls reflecting the building’s architecture back onto itself from an infinite number of angles, creating a world that is both trapped and indefinite. Comprising approximately 2000 mirrored balls, the spectacular and mesmerising installation is shaped by both the currents and the limits of the water. 3th Asia Pacific Triennial...