Albert Namatjira / Arrernte people, 1902 - 1959 / Untitled (Central Australian landscape) c.1955-59 / Watercolour and pencil on paper / Purchased 2019 with funds from the Bequest of Helen Dunoon through the Queensland Art Gallery | Gallery of Modern Art Foundation / Collection: Queensland Art Gallery | Gallery of Modern Art / © Namatjira Legacy Trust

Albert Namatjira / Arrernte people, 1902 - 1959 / Untitled (Central Australian landscape) c.1955-59 / Watercolour and pencil on paper / Purchased 2019 with funds from the Bequest of Helen Dunoon through the Queensland Art Gallery | Gallery of Modern Art Foundation / Collection: Queensland Art Gallery | Gallery of Modern Art / © Namatjira Legacy Trust / View full image

Albert Namatjira

Untitled (Central Australian landscape) c.1955–59

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Carlos Amorales / Mexico b.1970 / Black Cloud (detail) 2007/2018 / 30 000 black laser-cut and handfolded paper butterflies (30 different butterfly and moth species in five sizes with a wave wing pattern), ed. 1/3 (+ 1 A.P.) / dimensions variable / Purchased 2022 with funds from Tim Fairfax AC through the Queensland Art Gallery | Gallery of Modern Art Foundation / Images courtesy: kurimanzutto, Mexico City

Carlos Amorales / Mexico b.1970 / Black Cloud (detail) 2007/2018 / 30 000 black laser-cut and handfolded paper butterflies (30 different butterfly and moth species in five sizes with a wave wing pattern), ed. 1/3 (+ 1 A.P.) / dimensions variable / Purchased 2022 with funds from Tim Fairfax AC through the Queensland Art Gallery | Gallery of Modern Art Foundation / Images courtesy: kurimanzutto, Mexico City / View full image

Carlos Amorales

Black Cloud 2007/2018

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Hayley Matthew with Know them in correct judgement - Gami in D Harding's studio, March 2020 / Courtesy: Hayley Matthew and D Harding / Photograph: D Harding

Hayley Matthew with Know them in correct judgement - Gami in D Harding's studio, March 2020 / Courtesy: Hayley Matthew and D Harding / Photograph: D Harding / View full image

d Harding and Hayley Matthew

As I remember it (H2) 2022

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Jamie North / Australia b.1971 / Flume (detail), with Ficus rubiginosa 2013 / Cement, coal ash, steel slag, iron oxide, organic matter, various Australian plants 30cm base diameter; height variable / © Jamie North/Copyright Agency, 2022

Jamie North / Australia b.1971 / Flume (detail), with Ficus rubiginosa 2013 / Cement, coal ash, steel slag, iron oxide, organic matter, various Australian plants 30cm base diameter; height variable / © Jamie North/Copyright Agency, 2022 / View full image

Jamie North

Portal 2022

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Katie Paterson / Scotland b. 1981 / To Burn, Forest, Fire. 2021 / Commissioned by IHME Helsinki, 2021 / Commissioned by IHME Helsinki, 2021/© Katie Paterson/ Photograph: Veikko Somerpuro

Katie Paterson / Scotland b. 1981 / To Burn, Forest, Fire. 2021 / Commissioned by IHME Helsinki, 2021 / Commissioned by IHME Helsinki, 2021/© Katie Paterson/ Photograph: Veikko Somerpuro / View full image

Katie Paterson

To Burn, Forest, Fire 2021

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Lee Mingwei / Taiwan / United States b.1964 /Bodhi Tree Project 2006 Living installation / Bodhi tree, marble seats / designed by Lee Mingwei; carved by Paul Stumkat, Queensland / Commissioned by the Queensland Government for the Millennium Arts Project, Queensland Cultural Centre, Bodhi Tree Lawn, Queensland Art Gallery | Gallery of Modern Art

Lee Mingwei / Taiwan / United States b.1964 /Bodhi Tree Project 2006 Living installation / Bodhi tree, marble seats / designed by Lee Mingwei; carved by Paul Stumkat, Queensland / Commissioned by the Queensland Government for the Millennium Arts Project, Queensland Cultural Centre, Bodhi Tree Lawn, Queensland Art Gallery | Gallery of Modern Art / View full image

Lee Mingwei

Bodhi Tree Project 2006

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Lloyd Rees,1895 - 1988 / Moreton Bay Fig at Milton, figure under tree c.1912-17 / Pencil on paper / Gift of Alan and Jan Rees through the Queensland Art Gallery Foundation 1999. Donated through the Australian Government's Cultural Gifts Program / Collection: Queensland Art Gallery | Gallery of Modern Art / © Lloyd Rees

Lloyd Rees,1895 - 1988 / Moreton Bay Fig at Milton, figure under tree c.1912-17 / Pencil on paper / Gift of Alan and Jan Rees through the Queensland Art Gallery Foundation 1999. Donated through the Australian Government's Cultural Gifts Program / Collection: Queensland Art Gallery | Gallery of Modern Art / © Lloyd Rees / View full image

Lloyd Rees

Moreton Bay Fig at Milton, figure under tree c.1912–17, Palm; Creepers on rocks c.1914–17, Tall pine and stubby palm c.1914–17, Garden steps with climbing plant c.1915

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Oliver Beer / United Kingdom b. 1985 / Composition for Mouths (Songs My Mother Taught Me) I 2018 / HD video with sound 4mins 05s / ©OliverBeer

Oliver Beer / United Kingdom b. 1985 / Composition for Mouths (Songs My Mother Taught Me) I 2018 / HD video with sound 4mins 05s / ©OliverBeer / View full image

Oliver Beer

Composition for Mouths (Songs My Mother Taught Me) I & II 2018

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Rei Naito b.1961 / pillow for the dead 1998 / Silk organza, thread, air on medium density fibreboard painted pedestal with perspex cover / Purchased 1999.Queensland Art Gallery Foundation Grant / Collection: Queensland Art Gallery | Gallery of Modern Art / ©Rei Naito /

Rei Naito b.1961 / pillow for the dead 1998 / Silk organza, thread, air on medium density fibreboard painted pedestal with perspex cover / Purchased 1999.Queensland Art Gallery Foundation Grant / Collection: Queensland Art Gallery | Gallery of Modern Art / ©Rei Naito / / View full image

Rei Naito

pillow for the dead 1998

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Rosslynd Piggott / Australia b.1958 / Collection of air 2.12.1992 – 28.2.1993 1992–93, Melbourne and various European locations (detail) / Ink on paper, satin, cotton and viscose tassels, keys, glass, hock maple; cabinet by David Poulton / 138 x 250 x 39.5cm / South Australian Government Grant 1997 /Collection: Art Gallery of South Australia, Adelaide / © Rosslynd Piggott / Photograph: Saul Steed

Rosslynd Piggott / Australia b.1958 / Collection of air 2.12.1992 – 28.2.1993 1992–93, Melbourne and various European locations (detail) / Ink on paper, satin, cotton and viscose tassels, keys, glass, hock maple; cabinet by David Poulton / 138 x 250 x 39.5cm / South Australian Government Grant 1997 /Collection: Art Gallery of South Australia, Adelaide / © Rosslynd Piggott / Photograph: Saul Steed / View full image

Rosslynd Piggott

Collection of air 2.12.1992 – 28.2.1993 1992–93, Melbourne and various European locations

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Rosslynd Piggott, b.1958 / Night and mirrors 1999-2000 / Oil, silver and palladium relief, pearl on linen / Purchased 2000.Queensland Art Gallery Foundation Grant / Collection: Queensland Art Gallery | Gallery of Modern Art / © Rosslynd Piggott

Rosslynd Piggott, b.1958 / Night and mirrors 1999-2000 / Oil, silver and palladium relief, pearl on linen / Purchased 2000.Queensland Art Gallery Foundation Grant / Collection: Queensland Art Gallery | Gallery of Modern Art / © Rosslynd Piggott / View full image

Rosslynd Piggott

Night and mirrors 1999–2000

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Exhibition Themes

Introduction

Every breath of air is precious, vital to life. Yet because it can feel infinite, we think of air very differently to a resource such as water.

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Atmosphere

Our greenhouse planet spins through space, warmed by the Sun and surrounded by a vital mix of life-supporting gases – our precious atmosphere, the air we breathe.

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Burn

We are usually unaware of the air we breathe, but might sense it when standing near an air vent.

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Shared

We share the air – with one another, plants, trees and algae. With each breath, we take in oxygen created by these companions. Air and life have evolved together on Earth.

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Invisible

Sometimes what we cannot see makes us anxious. Early in the COVID-19 pandemic we focused on sanitising our hands to remove unseen pathogens; later we studied the invisible spread of aerosols.

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Change

We live in times of great change, ambiguity and uncertainty, as if on the edge of a precipice.

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