About the Artist

Judy Watson is a highly respected artist whose practice has both local and international reach and significance. The spirit of much of Watson’s work stems from the Waanyi homelands of her grandmother, great-grandmother and great-great-grandmother in north-west Queensland’s Gulf country.

The artist refers to her research-driven practice as ‘rattling the bones of the museum’, exposing dark histories from her perspective as an Aboriginal woman.

Watson has been active in teaching art over many decades. In 1983, she was appointed printmaking lecturer teaching lithography and drawing in Townsville, North Queensland. In 1986, she assisted in establishing printmaking workshops at Umbrella Studio Contemporary Arts, an arts organisation and gallery that still operates today. In 1990 she set up a lithography workshop at STUDIO ONE in Canberra. Watson also taught at Canberra School of Art, Australian National University in 1991. In 1993, she travelled around Queensland with Flying Arts Alliance to deliver workshops across regional and remote communities, including in Burketown, Mount Isa, Winton, Longreach, Cooktown, Doomadgee, Injinoo and Zenadth Kes (Torres Strait). In that year she also ran art workshops for First Nations' men through the Jumbunna Program at Parklea Prison, Parklea, in New South Wales. From 1998 to 1999 she taught at the Northern Territory University in Darwin. During her career, Watson has maintained an educational focus through mentoring, residencies, workshops and artwork collaborations that have benefited countless artists and arts workers.

Judy Watson’s contributions have been recognised by Griffith University, Brisbane, with an Adjunct Professorship, and by The University of Queensland, Brisbane, with a Doctor of Art History honoris causa. Born in Mundubbera, Queensland, the artist lives and works in Brisbane.

Painting for the Venice Biennale, Sydney 1997 / Photograph: Jenni Carter, Art Gallery of New South Wales, Sydney

Painting for the Venice Biennale, Sydney 1997 / Photograph: Jenni Carter, Art Gallery of New South Wales, Sydney / View full image

Teacher notes

Developed to accompany ‘mudunama kundana wandaraba jarribirri: Judy Watson’, this learning resource offers three overlapping frames within which to consider Watson’s practice: the exhibition’s curatorial themes; QAGOMA Learning’s Cultural Learning Framework; and links to state and national curricula.

This resource includes information about the artist and her practice, ideas for making and responding, and curriculum links.

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Explore the themes

Explore Judy Watson’s practice through the exhibition’s themes: cultural identity, the archive, environmentalism and feminism. Learn about selected artworks from the exhibition and use discussion questions and classroom activities to help dive deeper into each theme's subject matter.

Judy Watson / Waanyi people / Australia b.1959 / grandmother’s song 2007 / Pigment and pastel on canvas / Purchased 2007 with funds from Margaret Greenidge through the Queensland Art Gallery Foundation and the Queensland Art Gallery Foundation Grant / Collection: Queensland Art Gallery | Gallery of Modern Art / © Judy Watson. Licensed by Viscopy, 2016

Judy Watson / Waanyi people / Australia b.1959 / grandmother’s song 2007 / Pigment and pastel on canvas / Purchased 2007 with funds from Margaret Greenidge through the Queensland Art Gallery Foundation and the Queensland Art Gallery Foundation Grant / Collection: Queensland Art Gallery | Gallery of Modern Art / © Judy Watson. Licensed by Viscopy, 2016 / View full image

cultural identity

A key thread presents Watson’s viewpoint and research-driven practice as an Aboriginal woman within a matrilineal line of strong matriarchs.

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Judy Watson / Waanyi people / Australia b.1959 / burnt shield 2002 / Synthetic polymer paint, ash, charcoal on canvas / 190 x 118cm (unstretched) / Purchased 2003. The Queensland Government’s special Centenary Fund / Collection: Queensland Art Gallery | Gallery of Modern Art / © Judy Watson/Licensed by Viscopy, 2013

Judy Watson / Waanyi people / Australia b.1959 / burnt shield 2002 / Synthetic polymer paint, ash, charcoal on canvas / 190 x 118cm (unstretched) / Purchased 2003. The Queensland Government’s special Centenary Fund / Collection: Queensland Art Gallery | Gallery of Modern Art / © Judy Watson/Licensed by Viscopy, 2013 / View full image

the archive

Narratives about Australia’s dark and untold histories, and an interrogation of museum holdings in Australia and abroad.

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Judy Watson / Waanyi people / Australia b.1959 / driftnet 1998 / pigment, synthetic string, stringy bark, twine on canvas / 180.0 × 136.0 cm / Purchased, 1999 / National Gallery of Victoria, Melbourne

Judy Watson / Waanyi people / Australia b.1959 / driftnet 1998 / pigment, synthetic string, stringy bark, twine on canvas / 180.0 × 136.0 cm / Purchased, 1999 / National Gallery of Victoria, Melbourne / View full image

feminism

Exploring feminism through some of Watson’s early works, as well as her approach to collaborative practice.

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Judy Watson / Waanyi people / Australia b.1959 / wanami 2019 / Pigment and synthetic polymer paint on canvas / 245 x 181cm / The James C. Sourris AM Collection

Judy Watson / Waanyi people / Australia b.1959 / wanami 2019 / Pigment and synthetic polymer paint on canvas / 245 x 181cm / The James C. Sourris AM Collection / View full image

environmentalism

Focus on Country and ecosystems, particularly waterways, informed by cultural practices and scientific analyses of climate change.

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Judy Watson, Waanyi people, Australia b.1959 / tow row 2016 / Bronze / Commissioned 2016 to mark the tenth anniversary of the opening of the Gallery of Modern Art. This project has been realised with generous support from the Queensland Government, the Neilson Foundation and Cathryn Mittelheuser, AM through the Queensland Art Gallery | Gallery of Modern Art Foundation / Collection: Queensland Art Gallery | Gallery of Modern Art / © Judy Watson

Judy Watson, Waanyi people, Australia b.1959 / tow row 2016 / Bronze / Commissioned 2016 to mark the tenth anniversary of the opening of the Gallery of Modern Art. This project has been realised with generous support from the Queensland Government, the Neilson Foundation and Cathryn Mittelheuser, AM through the Queensland Art Gallery | Gallery of Modern Art Foundation / Collection: Queensland Art Gallery | Gallery of Modern Art / © Judy Watson / View full image

Immersive digital reality experience

Explore an immersive digital experience that animates and illuminates the significance of Judy Watson’s tow row 2016. Uncover the meaning of the sculpture, as well as the rich history and culture surrounding the creation and use of these fishing nets by First Nations people.

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