Rachel Mounsey
![Rachel Mounsey / Australia b.1975 / Mallacoota fires in the sky 3 (from ‘Mallacoota fires in the sky’ series) 2020 / Inkjet print on Canson Platine Fibre Rag paper / 100 x 150cm / Collection: Queensland Art Gallery | Gallery of Modern Art / Purchased 2022. Queensland Art Gallery | Gallery of Modern Art Foundation / © Rachel Mounsey / Courtesy: the artist](https://cdn.sanity.io/images/m2obzhc2/production/393e91e019c7cca931a2be645609231853ec7a13-4000x2666.jpg?rect=0,510,4000,1963&w=320&h=157&q=90&fit=crop)
Rachel Mounsey / Australia b.1975 / Mallacoota fires in the sky 3 (from ‘Mallacoota fires in the sky’ series) 2020 / Inkjet print on Canson Platine Fibre Rag paper / 100 x 150cm / Collection: Queensland Art Gallery | Gallery of Modern Art / Purchased 2022. Queensland Art Gallery | Gallery of Modern Art Foundation / © Rachel Mounsey / Courtesy: the artist / View full image
Rachel Mounsey
Australia b.1975
From ‘Mallacoota fires in the sky’ series:
Mallacoota fires in the sky 1 2020
Mallacoota fires in the sky 2 2020
Mallacoota fires in the sky 3 2020
Mallacoota fires in the sky 4 2020
Mallacoota fires in the sky 5 2020
Mallacoota fires in the sky 6 2020
Mallacoota fires in the sky 7 2020
Mallacoota fires in the sky 8 2020
Inkjet print on Canson Platine
Fibre Rag paper
Purchased 2022. Queensland Art Gallery | Gallery of Modern Art Foundation
Rachel Mounsey documents her home, the Victorian coastal town of Mallacoota, enveloped by wild bushfires, the sky darkening mid-morning and stained an eerie, vivid red.
These confronting scenes would become one of the defining events of Australia’s catastrophic bushfire season from December 2019 to February 2020, now known as the nation’s ‘Black Summer’. The fires enveloped the town in the early hours of New Year’s Eve 2019. By the morning, thousands of residents and tourists had taken shelter on the shore, waiting to evacuate by sea. The ferocious spread of these fires across the south-eastern seaboard saw the Australian landscape ignite like never before, with the flames eventually consuming more than 24 million hectares of forest. The super-fires are widely considered to be part of increasing extreme weather events caused by global heating.
Mounsey’s dramatic images of her own community were widely circulated as photojournalism at the time. As an artist, she also recorded more quietly surreal moments; for example, where a young boy plays with his dog on the shore of Bastion Point, amid the ash-thickened air.