The Nature Machine
When
4 Dec 2004 – 13 Feb 2005
Where
Queensland Art Gallery & Gallery 4
About
What happens when nature and technology come together? Do we create new worlds? How natural is our natural world? Equipped with the technology and the curiosity, contemporary artists explore how technology changes the world around us and our perceptions of it.
This exhibition is designed for children to engage with artists' ideas about the world we live in through a wide variety of works from the Gallery's contemporary collections, including photography, installation, video and paintings.
Children's labels, a children's activity booklet and interactive elements throughout the exhibit provide children with exciting and accessible ways to interact with the art works on display, and investigate some of the central themes of the exhibition.
In the beginning
Where did it all begin?
From the Big Bang to creation stories, cosmological, scientific and artistic explanations of where we come from are given creative force in the introductory section of 'The Nature Machine'.
Children can engage with mythical stories from Australia, Asia and the Pacific, and with artists whose practices investigate the role of science in constructing narratives ― about human evolution, the human body as machine and as landscape, and the body's sensory relationship to the world.
Transformations
How are we changing?
Art and technology continue to challenge our concept of the natural. What languages do artists use to communicate the interplay between nature, culture and technology? Issues of ecology, the technology of the body, and the artificial transformation of the 'natural' environment are just a few of the subjects addressed.
Future Nature
Where are we going?
What types of bodies, machines and living spaces will we have in the future? How does nature inform the way culture and technology are produced?
Artists working across traditional and contemporary media, from simple electric creations to sophisticated video installations, illustrate their distinctive visions of the future.
Artificial worlds
Are we becoming artificial?
Virtual reality, theme parks and computer games can restructure our thought processes and environments. How do artists utilise the moving image in order to construct artificial worlds? What kinds of meanings can be created from artificial settings and virtual imaginings?
Featured Artists
Ah Xian (China/Australia) | Drew Berry (USA/Australia) | Julie Blyfield (Australia) | Chen Zhen (China/France) | Justine Cooper (Australia/USA) | James Cunningham (New Zealand/USA) | Heri Dono (Indonesia) | Simryn Gill (Malaysia/Australia) | Robert Gligorov (Macedonia/Italy) | Guan Wei (China/Australia) | Co Hoedeman (Netherlands/Canada) | Rosemary Laing (Australia) | Lee Bul (South Korea) | Sally Marsland (Australia) | eX de Medici (Australia) | Leo Melpi (Australia) | Kozo Miyoshi (Japan) | Susan Norrie (Australia) | Patricia Piccinini (Australia) | Lisa Reihana (Aotearoa New Zealand) | Lisa Roet (Australia/Belgium) | Maurice Sendak (USA) | Stelarc (Australia/Japan) | David Stephenson (Australia) | Jana Sterbak (Czechoslavakia/Canada) | Jan Svankmajer (Czechoslovakia) | John Tonkin (Australia) | Catherine Truman (Australia) | Wang Zhiyuan (China/Australia)