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  1. What's On
  2. Exhibitions
  3. The 11th Asia Pacific Triennial of Contemporary Art

Kiri Dalena

Kiri Dalena / The Philippines b.1975 / Lives and works in Manila and Iligan City, The Philippines / Mag-uuma (Farmer) – Lamentation by Melfe Ebalang from Valencia, Bukidnon (still) 2014 / Single-channel digital video: black and white, sound, 2:06 minutes, Visayan / Director: Kiri Dalena / Camera: Jippy Pascua / Sound: Jedd Dumaguina / Sound mix: Datu Arellano / Song: Melfe Ebalang / Translation: Anijun Mudan-Udan, Telesforo Sungkit, Julie Lluch / Courtesy and © The artist

Kiri Dalena / The Philippines b.1975 / Lives and works in Manila and Iligan City, The Philippines / Mag-uuma (Farmer) – Lamentation by Melfe Ebalang from Valencia, Bukidnon (still) 2014 / Single-channel digital video: black and white, sound, 2:06 minutes, Visayan / Director: Kiri Dalena / Camera: Jippy Pascua / Sound: Jedd Dumaguina / Sound mix: Datu Arellano / Song: Melfe Ebalang / Translation: Anijun Mudan-Udan, Telesforo Sungkit, Julie Lluch / Courtesy and © The artist
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Born 1975, The Philippines
Lives and works in Manila and Iligan City, The Philippines

Artist Kiri Dalena / Photograph: Kimberly dela Cruz / Courtesy: The artist

Kiri Dalena is a visual artist and filmmaker whose work addresses social and political injustices, particularly in the Philippines.

In her evocative short film Mag-uuma (Farmer) – Lamentation by Melfe Ebalang from Valencia, Bukidnon 2014, Dalena filmed a young woman singing a haunting ballad of poverty and injustice. The woman, Melfe Ebalang, stands in a rice field, where farmers stopped work to listen to her sing. While covering the struggles of farmers and Indigenous people in Mindanao in 2014, Dalena had first encountered Ebalang singing during a protest.

Dalena, who has worked as a human rights volunteer, comments that what is usually expected of her in peasant communities is to document human rights abuses in the form of testimonies and interviews. When asked what inspired her to make this work, she replied: ‘These songs can awaken something that I thought was impossible to hold or capture. Something intangible, like hope’.

Return to Mindanao and the Sulu Archipelago: Roots and Currents

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