Alfred Sarino, a Blaan artist, continues the intricate craft of Tabih weaving, or abaca ikat, which he learned under the guidance of state-awarded artist Fu Yabing Masalon Dulo (1914–2021). In Blaan society, male weavers are rare; however, Sarino recalls that his grandfather was also skilled in this art. The highly specialised process, similar to the Tnalak of the Tboli, begins with the harvesting of abaca, stripping the fibres, tyeing them for resist dyeing with natural pigments, and then weaving on a backstrap loom. Each Tabih can take several months to complete, requiring immense skill and patience. Motifs in the Tabih often feature human figures and crocodiles (binuwaya), which are considered protective charms that ward off evil spirits and are believed to bring good fortune. The textiles are used for clothing, now largely worn on special occasions, and symbolise prestige and social status. Sarino’s Tabih ikat exemplifies the Blaan’s deep connection to their land, beliefs and cultural identity, as well as their ability to evolve through innovation and variation.

Return to Mindanao and the Sulu Archipelago: Roots and Currents