Anthony McCall
![Anthony McCall / United Kingdom / United States b.1946 / Crossing 2016 (installation views, GOMA 2016) / Two double video projections (20 minutes), haze machine and sound, ed. 1/3 / Commissioned to mark the tenth anniversary of the opening of the Gallery of Modern Art / Purchased 2016 with funds from Tim Fairfax AC through the Queensland Art Gallery | Gallery of Modern Art Foundation/ Photograph: Natasha Harth, QAGOMA](https://cdn.sanity.io/images/m2obzhc2/production/cbdfbfc1abd709836bbc3258d0c1f41949da19b7-4000x2669.jpg?rect=0,511,4000,1963&w=320&h=157&q=90&fit=crop)
Anthony McCall / United Kingdom / United States b.1946 / Crossing 2016 (installation views, GOMA 2016) / Two double video projections (20 minutes), haze machine and sound, ed. 1/3 / Commissioned to mark the tenth anniversary of the opening of the Gallery of Modern Art / Purchased 2016 with funds from Tim Fairfax AC through the Queensland Art Gallery | Gallery of Modern Art Foundation/ Photograph: Natasha Harth, QAGOMA / View full image
Anthony McCall
United Kingdom/United States b.1946
Crossing 2016
Two double video projections (20 minutes), haze machine, sound
Commissioned to mark the tenth anniversary of the opening of the Gallery of Modern Art
Purchased 2016 with funds from Tim Fairfax AC through the Queensland Art Gallery | Gallery of Modern Art Foundation
Anthony McCall draws our attention to the volume of air held within the gallery as a space of dramatic potential in his expansive light installation Crossing 2016.
An architecture of light slowly unfolds within the darkness. White light is projected onto the floor in two pairs of beams: a near-full ellipse and a straight-line dance together in one pairing; an ellipse and curved line in the other. Like graphic code, the simple geometry of these ‘drawings’ can be read clearly on the dark carpet, but what is surprising is the way each long beam of light appears convincingly solid within the haze-filled gallery.
The sound of a wave moves slowly through the space, like a slow whoosh, or deep movement of breath. It is not recorded from the natural world but composed from white noise. Like the lines of light we see, what we hear is also an abstraction.