Vincent Namatjira, Western Aranda people, Australia b.1983 / Albert and Vincent 2014 / Synthetic polymer paint on linen / 120 x 100cm / Gift of Dirk and Karen Zadra through the Queensland Art Gallery | Gallery of Modern Art Foundation 2014. Donated through the Australian Government's Cultural Gifts Program / Collection: Queensland Art Gallery | Gallery of Modern Art / © Vincent Namatjira/Copyright Agency

Vincent Namatjira, Western Aranda people, Australia b.1983 / Albert and Vincent 2014 / Synthetic polymer paint on linen / 120 x 100cm / Gift of Dirk and Karen Zadra through the Queensland Art Gallery | Gallery of Modern Art Foundation 2014. Donated through the Australian Government's Cultural Gifts Program / Collection: Queensland Art Gallery | Gallery of Modern Art / © Vincent Namatjira/Copyright Agency / View full image

Indigenous Australian Art

Artistic expressions from the world's oldest continuing culture are drawn from all regions of the country in the Gallery's holdings of Indigenous Australian artworks, especially the rich diversity of Aboriginal and Torres Strait Islander cultures and experiences in Queensland.

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Charles Blackman, Australia 1928-2018 / The Blue Alice 1956-57 / Tempera, oil and household enamel on composition board / 122 x 122cm / Purchased 2000. The Queensland Government’s special Centenary Fund / Collection: Queensland Art Gallery | Gallery of Modern Art / © Charles Blackman/Copyright Agency

Charles Blackman, Australia 1928-2018 / The Blue Alice 1956-57 / Tempera, oil and household enamel on composition board / 122 x 122cm / Purchased 2000. The Queensland Government’s special Centenary Fund / Collection: Queensland Art Gallery | Gallery of Modern Art / © Charles Blackman/Copyright Agency / View full image

Australian Art

The work of Australian artists has been collected by the Gallery since its foundation in 1895. These works date from the colonial period onwards, with rich holdings of paintings and sculptures by Australian expatriate artists living in the United Kingdom and France at the turn of the twentieth century. The Australian art collection tracks developments in the modern movement of the 1950s and 1960s, including abstractions and assemblages and conceptual/post-object art of the late 1960s and 1970s.

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Yayoi Kusama, Japan b.1929 / Soul under the moon 2002 / Mirrors, ultra violet lights, water, plastic, nylon thread, timber, synthetic polymer paint / The Kenneth and Yasuko Myer Collection of Contemporary Asian Art. Purchased 2002 with funds from Michael Sidney Myer and The Myer Foundation, a project of the Sidney Myer Centenary Celebration 1899-1999, through the Queensland Art Gallery Foundation and The Yayoi Kusama Queensland Art Gallery Foundation Appeal / Collection: Queensland Art Gallery | Gallery of Modern Art / © Yayoi Kusama, Yayoi Kusama Studio Inc

Yayoi Kusama, Japan b.1929 / Soul under the moon 2002 / Mirrors, ultra violet lights, water, plastic, nylon thread, timber, synthetic polymer paint / The Kenneth and Yasuko Myer Collection of Contemporary Asian Art. Purchased 2002 with funds from Michael Sidney Myer and The Myer Foundation, a project of the Sidney Myer Centenary Celebration 1899-1999, through the Queensland Art Gallery Foundation and The Yayoi Kusama Queensland Art Gallery Foundation Appeal / Collection: Queensland Art Gallery | Gallery of Modern Art / © Yayoi Kusama, Yayoi Kusama Studio Inc / View full image

Asian Art

QAGOMA’s Contemporary Asian art collection is among the most extensive of its kind in the world, comprising over 1000 works from the late 1960s to the present which shed light on modern historical developments, current environments of social change and evolving models of artistic production. Our contemporary Asian holdings have been shaped by the Asia Pacific Triennial of Contemporary Art since 1993, reflecting the diversity of art-making contexts in the region and including major new commissioned works.

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Michel Tuffery, New Zealand b.1966 / Povi tau vaga (The challenge) 1999 / Aluminium, pinewood, corn beef tins and rivets with Mini DV: 2:43 minutes, colour, stereo / Two sculptures: 190 x 308 x 96cm; two sculptures: 59 x 109 x 38cm / Purchased 1999. Queensland Art Gallery Foundation / Collection: Queensland Art Gallery | Gallery of Modern Art / © Michel Tuffery

Michel Tuffery, New Zealand b.1966 / Povi tau vaga (The challenge) 1999 / Aluminium, pinewood, corn beef tins and rivets with Mini DV: 2:43 minutes, colour, stereo / Two sculptures: 190 x 308 x 96cm; two sculptures: 59 x 109 x 38cm / Purchased 1999. Queensland Art Gallery Foundation / Collection: Queensland Art Gallery | Gallery of Modern Art / © Michel Tuffery / View full image

Pacific Art

The Gallery's collection of contemporary Pacific art is the broadest in Australia. With the establishment of the Asia Pacific Triennial (APT) in the early 1990s, the Gallery recognised the importance of actively developing the Pacific collection.

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Nick Cave, United States b.1959 / Heard 2012 / 15 wearable sculptures (six parts each) or as a performance, 15 wearable sculptures (six parts each), choreography, musical score and video / Purchased 2016 to mark the tenth anniversary of the Gallery of Modern Art with funds from the Josephine Ulrick and Win Schubert Diversity Foundation through the Queensland Art Gallery | Gallery of Modern Art Foundation / Collection: Queensland Art Gallery | Gallery of Modern Art / © Nick Cave

Nick Cave, United States b.1959 / Heard 2012 / 15 wearable sculptures (six parts each) or as a performance, 15 wearable sculptures (six parts each), choreography, musical score and video / Purchased 2016 to mark the tenth anniversary of the Gallery of Modern Art with funds from the Josephine Ulrick and Win Schubert Diversity Foundation through the Queensland Art Gallery | Gallery of Modern Art Foundation / Collection: Queensland Art Gallery | Gallery of Modern Art / © Nick Cave / View full image

International Art

The Gallery's collection of works from Europe, Africa and North and South America includes early European paintings and works on paper, with an emphasis on the Northern Renaissance; British art from the late-18th to late-19th century, including Victorian and Edwardian painting; and modern European and American painting, sculpture, photography and prints from the late 19th century to the second half of the twentieth century.

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R. Godfrey Rivers, England/Australia 1858-1925 / Under the jacaranda 1903 / Oil on canvas / 143.4 x 107.2 cm / Purchased 1903 / Collection: Queensland Art Gallery | Gallery of Modern Art

R. Godfrey Rivers, England/Australia 1858-1925 / Under the jacaranda 1903 / Oil on canvas / 143.4 x 107.2 cm / Purchased 1903 / Collection: Queensland Art Gallery | Gallery of Modern Art / View full image

Artists & Artworks

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Digitising the collection / Elizabeth Gower, Australia b.1952 / Thinking about the meaning of life 1990 / Synthetic polymer paint on drafting film / 288 x 787cm (overall installed) / Purchased 1993 under the Contemporary Art Acquisition Program with funds from Ian Gray through the Queensland Art Gallery Foundation / Collection: Queensland Art Gallery | Gallery of Modern Art / © Elizabeth Gower / Photograph: L Wilkes © QAGOMA

Digitising the collection / Elizabeth Gower, Australia b.1952 / Thinking about the meaning of life 1990 / Synthetic polymer paint on drafting film / 288 x 787cm (overall installed) / Purchased 1993 under the Contemporary Art Acquisition Program with funds from Ian Gray through the Queensland Art Gallery Foundation / Collection: Queensland Art Gallery | Gallery of Modern Art / © Elizabeth Gower / Photograph: L Wilkes © QAGOMA / View full image

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Find out more about the work of our conservation specialists, the depth of our Asia Pacific research, or explore the extensive collection of art resources in our Research Library.

Stories

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    Go behind-the-scenes with our time-lapse videos

    Have you ever been to an exhibition at QAGOMA and walked away wanting to know more — for example — how did Qiu Zhijie create his enormous five-storey wall painting Map of Technological Ethics for ‘APT9’; alternatively, what did Ben Quilty use to create a series of site-specific, hand-drawn portraits of Margaret Olley — (teapots, jugs, and vases cast in chalk wouldn’t immediately come to mind) — what about — how did we create Olafur Eliasson’s commanding and interactive Riverbed, transforming an empty gallery in to an awe-inspiring rocky landscape; maybe you’d like to know how Céleste Boursier-Mougenot’s From here to ear (v. 13)2010 which orchestrates a space for listening and experiencing was created as an environment for finches to feed, fly, rest and make music; or even how could we possibly get Cai Guo-Qiang’s 30m Eucalyptus tree into GOMA through the front doors? Understandably, artists are protective of their work and sometimes don’t want to share too much in case it spoils the interpretation or gives away the installation process. Well, now you don’t have to be an art aficionado to know their secrets as we hopefully will be able to answer some of your unanswered questions. Watch a selection of time-lapse videos created over the years and go behind-the-scenes for a peak into the world of an art gallery. We are fortunate to have been able to capture over 40 artworks and installations for you to see how major exhibitions are created. Watching the results of multiple frames speeding by in a time-lapse can be unbelievably satisfying, so head over to our YouTube playlist to watch them all and while away the time. 2019: Olafur Eliasson During the ‘Water‘ exhibition which highlighted this precious resource, Olafur Eliasson’s commanding and interactive Riverbed 2014 offered audiences a chance to explore and ponder the existence of water. Is this the very first landscape on Earth, an environment yet to spring into life, or is this the last precious water source in a barren, post-apocalyptic future? Behind the vision of the renowned Danish/Icelandic artist and architect’s work was a huge team at QAGOMA all equipped with unique skill sets to transform an empty gallery in to an awe-inspiring rocky landscape. Olafur Eliasson, Denmark/Iceland b.1967 / Riverbed 2014 installed at the Gallery of Modern Art, Brisbane 2019 / Water, rock (volcanic stones [blue basalt, basalt, lava], other stones, gravel, sand), wood, steel, plastic sheeting, hose, pumps / Courtesy: The artist; neugerriemschneider, Berlin; Tanya Bonakdar Gallery, New York/Los Angeles 2018: Patricia Piccinini Watch our time-lapse as we install Patricia Piccinini’s multisensory immersive installation The Field 2018 in her exhibition ‘Curious Affection’, especially conceived for GOMA’s expansive spaces. The creatures for which Piccinini is renowned, sit in a field of over 3000 transgenic flowers that gently sway in response to passing viewers, the movement made possible by a multi-layer flooring system designed and manufactured by GOMA to function under the weight of the visitor. Patricia Piccinini, Australia b.1965 / The Field 2018 / 3000 objects: ABS and PPE plastic / Courtesy: The artist; Tolarno Galleries, Melbourne; Roslyn Oxley9 Gallery, Sydney; and Hosfelt Gallery, San Francisco / © Patricia Piccinini 2017: Marvel Go behind the scenes to view over 500 unique objects and costumes worn by your favourite superhero when earth’s mighty heros, their allies and adversaries from the pages of Marvel Comics to their big-screen incarnations, come together in the largest Marvel exhibition ever presented, exclusively for GOMA. Watch how we prepared, dressed and installed the costumes for The Avengers, just one of the many rooms in ‘Marvel: Creating the Cinematic Universe’, not to mention, never-before-seen set pieces from Thor: Ragnarok 2017, including the majestic Asgardian throne room and Hulk’s bed. Installation view of the ‘Alternate dimensions’ room, ‘Marvel: Creating the Cinematic Universe’, GOMA 2017 / © MARVEL 2016: Haegue Yang For ‘APT8’ Haegue Yang created Sol LeWitt Upside Down — Open Modular Cubes (Small), Expanded 958 Times 2015, a site-specific work for the Queensland Art Gallery Watermall. The installation consists of 1012 white Venetian blinds, arranged into grids and suspended from the ceiling in an inverted and expanded rendition of the ‘open modular cube’ structures, signature works of American conceptual artist Sol LeWitt.  Haegue Yang, South Korea/Germany b.1971 / Sol LeWitt Upside Down – Open Modular Cubes (Small), Expanded 958 Times 2015 / Aluminium Venetian blinds, aluminium hanging structure, powder coating, steel wire / 560 x 1052.5 x 562.5 cm / Commissioned for APT8. Purchased 2015 with funds from Tim Fairfax, AC, through the QAGOMA Foundation / Collection: Queensland Art Gallery | Gallery of Modern Art / © Haegue Yang 2015: Asim Waqif Asim Waqif created a site-specific work for ‘APT8’ at GOMA entitled All we leave behind are the memories 2015 that expanded through the gallery spaces. His installation is constructed from the worn and aged timbers typical of vernacular south-east Queensland architecture. Embedded with lights and sound sensors to be triggered by the viewer, this seemingly precarious structure is designed to be entered and explored. Installation view of Asim Waqif’s site-specific work All we leave behind are the memories 2015 2014: Tomas Saraceno The exhibition ‘Harvest’ celebrated food in art and included a large scale installation by Tomas Saraceno, renowned for his ambitious sculptures and installations that take the form of webs and interconnected spheres or bubbles. This group of works takes inspiration from the ‘Biosphere 2’ experiments in Arizona in the early 1990s, which analysed the possibility of humans living within closed ecological environments. Saraceno’s Biosphere 02 sculptures contains Tillandsia plants — a type of bromeliad that is native to the Americas, they receive all of their nutrients from water and air so are perfect for a closed ecosystem, like a floating garden. Tomás Saraceno, Argentina b.1973 / Biosphere 02 2009 / PVC, rope, nylon monofilament, acrylic, plants (Tillandsia), air pressure regulator system, hydration system / Purchased 2014 with funds from Tim Fairfax,...
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    Asgardian power is celebrated at GOMA

    Inspired by Norse mythology, Asgard is home to a proud intergalactic warrior race, first seen in Thor 2011 and later in Thor: The Dark World 2013. The Asgardians have been responsible for keeping the peace across the interconnected realms scattered throughout the stars, known as the Nine Realms. Ruled by Odin, King of Asgard, the realm of Asgard was home to Queen Frigga and sons Thor and Loki, until dynastic rivalry saw the family torn apart and Loki’s animosity spill across the universe, wreaking havoc on Earth. The ‘Asgard: Protector of the Nine Realms’ room in Marvel: Creating the Cinematic Universe’ celebrates the heart of Asgardian power – the Throne Room of Asgard. It features major set pieces from the forthcoming Thor: Ragnarok 2017, and costumes and weaponry from Thor: The Dark World 2013. The Nine Realms refers to a group of planets, cosmically distant from each other yet connected by the branches of Yggdrasil, the metaphysical ‘world tree’. At the head of tree is Asgard, ruled by a god-like people, including Odin and Thor, who aim to protect the other realms and the universe from evil forces. Other realms include Jotunheim, land of the Frost Giants; Svartalfheim and its Dark Elves; Midgard – the Asgardian name for Earth; and Niflheim, the location of Hel, where the dead of the Nine Realms dwell. Asgardian throne room Asgardian life Situated on opposite sides of the throne are two significant elements of Asgardian life – its history as detailed in the Book of Yggdrasil, depicting The Birth of the Nine Realms; and The Observatory, a gateway between Asgard and the rest of the universe. Gatekeeper of Asgard, Heimdall’s costume, sword and dais are also on display. Heimdall, a loyal, all-seeing and all-hearing Asgardian, is the Watcher of Worlds. His never-ending vigil over the Nine Realms sees him posted at an observatory at the entrance to the Bifrost Bridge, which is an Einstein-Rosen bridge, or wormhole, that connects Asgard to the other realms, including Earth. His sword, called Hofund, is the key to opening the Bridge. DELVE DEEPER INTO THE MARVEL CINEMATIC UNIVERSE and WATCH OUR BEHIND THE SCENES VIDEOS Go behind the scenes of ‘Marvel: Creating the Cinematic Universe’ to experience more than 500 unique objects from your favourite films, never-before-seen iconic objects which offer a glimpse into the work of production designers, storyboarding and pre‑visualisation artists, costume and prop designers, and visual effects artists alongside the original comic books which introduced the characters and influenced the films. TICKETS CINEMA | EXHIBITION | UP LATE / BUY THE PUBLICATION Purchase tickets for ‘Marvel: Creating the Cinematic Universe‘ online or at the ticket desk 10.00am-4.00pm daily, and until 8.00pm Wednesday. ‘Marvel’ film screenings and ‘Marvel’ Up Late are separate ticketed events. ‘Marvel: Creating the Cinematic Universe’ has been organised by QAGOMA in collaboration with Marvel Entertainment. Experience ‘Marvel: Creating the Cinematic Universe’ only showing at GOMA in Brisbane until 3 September 2017. Amanda Slack-Smith is exhibition curator ‘Marvel: Creating the Cinematic Universe’ and Associate Curator, Australian Cinémathèque, QAGOMA